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[  glossary of terms  ]

glossary of terms

What is the difference between Modern and Contemporary?
Although many use the words interchangeably, and the absolute meaning is certainly debatable, we use them to mean as such:
Contemporary pieces incorporate a lot of color and texture.  They could be described as comfortable and colorful.
Modern pieces use less texture and are more about form and artistic impression rather than function.

What is a giclee?
Giclée (pronounced "zhee-clay") is a French word meaning "a spraying of ink.” With the advent of giclée, the art of reproducing fine art has become even more precise. Giclées have the highest apparent resolution available today -- as high as 1,800 dots per inch. In addition, since no screens are used, the prints have a higher apparent resolution than lithographs and a color range that exceeds that of serigraphy. Displaying a full color spectrum, giclée prints capture every nuance of an original and have gained wide acceptance from artists and galleries throughout the world.

What is a reproduction?

A reproduction is a copy or facsimile of an original work. The end product of a reproduction is significantly faithful in its resemblance to the form and elements of the original.

What is an edition?

An edition is a set of identical prints or other works of art, sometimes numbered and signed, often created by or under the supervision of the artist. Two numbers are often written on the piece, the first indicating the print’s place in the order of all pieces in the edition, the second number indicating the total number of pieces in the edition.

What is a limited edition?
A limited edition is a series of identical prints or pieces, which are limited to a one-time creation of a certain number of pieces. The artist determines the size of the edition, and usually signs and numbers each individual piece.

What is an original?
An original work is considered to be an authentic example of the works of an artist, rather than a reproduction or imitation.

What is a numbered print?
Numbering refers to labeling on a print that specifies its place in the order of its production when it is one of a limited edition.

What is archival?

The ability of a material, including some framing materials, printing papers to last for many years.  The materials usually meet certain criteria for permanence, such as lignin-free, pH neutral, alkaline-buffered, stable in light, etc.


What is foam board?
Foam board is a lightweight, stiff backing often mounted or affixed to a print or poster prior to framing.

What is matting?
Matting is a stiff paper, fabric or suede border around a print.

What is a hand colored print?
A hand colored print is a black and white print that has been individually colored by an artist using high quality watercolor paints. The artist uses layers of paint to bring depth and vibrancy to the colors. Our selection of hand colored prints are painted using traditional techniques that give each piece a rich, higher quality look usually associated with original art.

What is 'fiber'?
Fiber art is a style of fine art which uses textiles such as fabric, yarn, and natural and synthetic fibers. It focuses on the materials and on the manual labour involved as part of its significance.*
Source: www.wikipedia.org/wiki/Textile_Design


What is 'ceramic'?
Ceramics are materials made of non-metallic minerals that have been permanently hardened by firing them at high temperatures. Objects made of such materials are also called ceramics. Traditionally, ceramics were made of clay and other naturally occurring materials. In contrast, modern ceramics are made of silicon carbide, alumina and other specially purified materials. The word ceramic comes from the Greek word 'keramikos' meaning 'of pottering', from 'keramos', which means 'potter’s clay'.*

What is 'earthenware'?
Earthenware is a type of ceramic made from potash, sand, feldspar and clay. Earthenware is typically 'biscuit fired' (first kiln firing) at a temperature of around 1000ºC. It is 'glaze fired' (the final/second firing) at around 1100ºC. Sometimes earthenware can be as thin as bone china and other porcelains, though it is more easily chipped. It is not as translucent as porcelain. Earthenware is less strong and less tough and more porous than stoneware – but is cheaper to produce and easier to work with. Due to its high porosity, earthenware must usually be glazed in order to be watertight.*

What is 'stoneware'?

Stoneware is a high-fired ceramic that is vitreous or semi vitreous, not translucent, and is often made up of clays that are not highly refined. Stoneware commonly has some specks and some particulate material such as sand in it. Stoneware is harder than earthenware and is fired at kiln temperatures of about 1200-1300ºC. Its colour is usually grey, buff, white or brown. Stoneware is strong and can hold water, though it is not completely waterproof unless glazed.*

What is 'pottery'?
Pottery is a form of ceramics technology where wet clays are shaped and then dried or fired to harden them. The term is generally used only for relatively easily constructed utensils such as pots, cups, bowls etc. Pottery is an ancient technology.*
*Source: www.liverpoolmuseums.org.uk

What is a gelatin-silver print?
Is the photographic process used with currently available black-and-white films and printing papers. A suspension of silver salts in gelatin is coated onto acetate film or fiber-based or resin coated paper and allowed to dry (hence the term dry plate). These materials remain stable for months and years unlike the 'wet plate' materials that preceded them.**

What is a monoprint or a monotype?
Monoprinting is a form of printmaking that has images or lines that cannot exactly be reproduced. There are many techniques of monoprinting, including collage, hand-painted additions, and a form of tracing by which thick ink is laid down on a table, paper is placed on top and is then drawn on, transferring the ink onto the paper. Monoprints can also be made by altering the type, color, and pressure of the ink used to create different prints. Examples of standard printmaking techniques which can be used to make monoprints include lithography, woodcut, and etching.
The difference between monoprinting and monotyping is that monoprinting has a matrix that can be reused, but not to produce an identical result. With monotyping there are no permanent marks on the matrix, and at most two impression (copies) can be obtained.**


**Source: www.wikipedia.org

 

 

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